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Written for an intermediate level ensemble, this high energy piece would be a great concert closer. It was written to explore choral writing without the use of poetry. Abandoning poetry opens up many compositional doors for the choral composer since being unrestrained by text yields a greater ability to choose your own rhythm and form among other things. I chose to make up syllables that would fit each of the motifs in the piece. The bass ostinato throughout the piece is based on the rhythm of a taiko drum pattern I heard many years ago while the upper parts explore short motifs and contemporary harmonies. The uniting of these two ideas felt to me like a “fusion” of different musical styles, thus the title.